Red Hood's Revenge, by Jim C. Hines
Penguin Books, 2010, 352 pages
Wars may end. But vengeance is forever.
Roudette's story was a simple one. A red cape. A wolf. A hunter. Her mother told her she would be safe, so long as she kept to the path. But sometimes the path leads to dark places. Roudette is the hunter now, an assassin known throughout the world as the Lady of the Red Hood. Her mission will take her to the country of Arathea and an ancient fairy threat.
At the heart of the conflict between humans and fairies stands the woman Roudette has been hired to kill, the only human ever to have fought the Lady of the Red Hood and survived - the princess known as Sleeping Beauty.
Everyone level up now: Red Riding Hood is a 12th-level Assassin!
Verdict: Red Hood's Revenge is an enjoyable continuation of the Princess series. This is the third book, and while in a lot of ways it's more polished and mature than the first two, it's probably not my favorite, which is not to say it's not good. If you like light fantasy with a variety of interesting characters good and bad, most of them women, examining a lot of issues that often get glossed over in genre fantasy but without using them as sledgehammers, I really recommend these books.
Also by Jim C. Hines: My reviews of The Stepsister Scheme and The Mermaid's Madness.
My complete list of book reviews.
When you have story-related block, you feel sick every time you think about the story you're working on. You find yourself avoiding sitting down. You wonder if you were made to be a writer. You being to make lists of everything you hate about your book. You even hate thinking about it.
It may be hard to see it, but sometimes you can get rid of this kind of writers block by:
A) Going back to the beginning of the story and seeing where it went wrong. You have to be courageous enough in this situation to cut as much of the words that aren't working as you have to. This may well be most of what you have written. But unless you do this, you will never be able to feel any interest in this project again. It may already be too late for that. And so . . .
B) Trying to write something new might be the solution, as well. If you can think of anything else you are interested in writing, maybe something completely different from the failed project that is haunting you, try it out for a day or so. Fiddle with it, play with it. See if you can make writing fun again. If it works, keep going. But be watchful. If you start to feel a niggling sense that you've gone wrong again, stop before you get too far in. You don't want to keep throwing books out.
2 Life-related Block
In my mind, life-related block is completely different, but I think that there may be some writers who confuse life-related block with story-related block. Both come with a lack of interest in writing, and a dread whenever the idea of work comes up. In addition, life-related block can also cause you to question if you were made to be a writer.
However, life-related block is far more pervasive. When I have life-related block, I don't want to watch movies or television. I don't want to read books. I don't want to talk to friends. I don't want to eat my favorite foods. It is a bit like depression in this way, in that it can feel like it takes over your whole life and makes it impossible for you to feel happy.
Unlike depression, however, a life-related block can actually be solved by fixing a specific problem in your life. I don't know what that problem is for everyone, and sometimes depression medication can help by letting us see our lives more clearly. Sometimes a life-related block is over-work or over-stress from a day-job, from family emergencies, or from the long illness of a loved one.
Sometimes a life-related block is the unconscious realization that there is something going terribly wrong in our lives, a relationship that has to be ended (and we don't want to do it), or a change has to be made. It can be related to the physical space you're trying to do your writing in. It can be related to money problems.
Whatever it is, if you have life-related block, starting a new project isn't likely to help you. You probably need to just take some time off your creative endeavors and really figure out what change is needed. Then, when you've got your stuff taken care of, the desire to create will naturally come back to you, slowly but surely.
This lovely ad from The Teaching Professor informed me that I should plan my curriculum by placing grading at the center of my planning. It used the terms testing and grading and assessment interchangeably, but it did want to sell me on a seminar on using tests to improve student learning.
You see, I do not use tests. Not. At. All. I could if I elected to do so. But I think I can see what students are learning by asking them to apply what they are learning in textbooks and other sources directly to REAL books for children, tween, and teens. I would rather my students perform real world tasks than take tests.
And that brings me to the tweet today from a friend whose child received the summer reading list for AP English along with the directions to analyze the various texts (all canonical) in multiple ways (I think the suggestion was to use 13 different "techniques."). When did summer, a time when kids should be able to read for pleasure, become a time for analysis of classic texts? When did we come to believe that AP kids did not need to read difficult (dare I say rigorous) texts without some sort of scaffolding for the analytical component? Who would prefer to kill a love of reading by assigning dissection over the summer rather than asking kids to read and offering suggestions? Or maybe teaming with the public library?
Please, as summer approaches, think more about how we can foster a continuing love of reading. Consider how we can ensure kids have access to books more readily. Deliberate on the element of CHOICE. after ALL, I plan to participate again in #bookaday. I will select the books to read freely. I will have access to a community online that can make recommendations for me as well. No dioramas or book reports, maybe a tweet or a blog post. Maybe not. I will have books to take along with me, audiobooks, eBooks, GNs, the whole spectrum. I am psyched for this challenge. If I do not read a book a day, there will be no sledge hammer blow to my skull. Instead, there will be encouragement and understanding.
So, by all means ask kids to spend time reading this summer. But do so bearing in mind that we can either support readers or murder them. The choice is ours.
- Current Location:home
- Current Mood:concerned
Hello!
In case you were wondering, this is not going to morph into a blog composed exclusively of me interviewing other authors. But I sure like doing said interviews, and I am now pleased to present another one!
I was intrigued by N. Griffin’s debut novel, The Whole Stupid Way We Are, from the moment I heard its excellent title. It’s about Dinah, church choir director’s daughter who sings off-key, and Skint, who walks coatless through brutal cold; about their friendship and the things that divide them. For a book whose characters have some very hard-to-deal-with experiences, it’s surprisingly funny, and the prose is always precise, whether evoking an escape from detention, the play of sunlight on a toddler’s feet, or how it feels when your help can’t fix what you want to fix.
So I asked N. Griffin some questions. I’ve tried to avoid spoilers, but if you are extremely concerned about such things you might want to wait to look at this interview until you’ve finished reading the book. Which, in case it wasn’t obvious from the above, I recommend that you do.
SR: I love the names in TWSWWA. How do you choose character names?
NG: Thank you! Naming the characters is one of the most fun parts about writing books, I think. For TWSWWA, Dinah’s name came first. When I was just starting to write the book, I was working with a woman whose name I adored. Let’s call her Mynah Deech. I loved saying “Mynah Deech” so much I worked it into conversation at every opportunity—“What do you think Mynah Deech would think of this?” and “We better check with Mynah Deech!” In fact, I wanted to steal her whole name for my book but I thought that would be too weird so I settled for a name that rhymed with it and came up with Dinah Beach. All of the other names just felt right to me, and some of the names are sort of a broken-up, messed-up version of a word that was central to my heart while I was writing the book. A MYSTERY! :)
SR: I was struck by Skint’s angry passion about social issues far removed from the considerable challenges of his day-to-day life. At what point in the writing process did that aspect of his character become clear to you?
NG: It was always clear to me; one of the first things I knew about Skint was this. I think this aspect of his character came from two places for me—first, I know so many kids who care this much about suffering and the world, and we never seem to pay attention to that aspect of teenagers. We prefer to think they are only and entirely self-centered, and I know that is beyond not true. I also knew that Skint’s passion for this was an outlet for all the anger in his life—he can’t express what is going on at home, but he can get riled up about the world in a public way, and all his personal hurt and upset gets added to his natural compassion and comes out with all the intensity that would suggest.
SR: Dinah genuinely cares about Skint, but also seems to see him as a project or a job. She comes up with strategies to distract & cheer him: “Outings, she thought firmly, and good ideas to think about. Pretending, talismans, things to do with trees.” I think many of us have known and/or been Dinahs. What do you think drives that particular intense need to help people who may or may not benefit from our efforts?
NG: For Dinah, I think it’s the same intense love and compassion as Skint has, only hers is focused on the personal and her own aching for Skint. I also think she truly thinks she’s helping him, and that can be an intoxicating feeling—who doesn’t want to feel like they are needed like that? But the balance is off for sure, and I think that’s something lots of people take years to make sense of. Not that I know anything about that. No sirree. ;)
SR: I hope I can say this without giving too much away: I was impressed that you leave certain things unresolved at the end. Did you always know you wanted to give that shape to the story, or did you have previous drafts that went in other directions?
NG: Nope, that was always how it was. I think I wrote the last scene when I was only a third of the way through the first of my million drafts. For me, the arc of the story is that of their friendship, not of their whole entire lives. And when that arc was complete, so was the book.
SR: And finally: Dinah and Skint regularly embark on “Fantastic or Excruciating?” adventures:
“An FoE is an entertainment where you can’t tell beforehand whether it will be fabulous and surreal or only just a misery-making fiasco that will make you ache for the performers involved because it is all so awful and the performers are unaware. Or maybe they are aware. And then it is even worse.”
Have you ever done this yourself, and if so, can you describe one?
NG: Oh, my lordie, yes, all the time and even still! Every single FoE in the book except for Walter is one that I have actually experienced. There are so many more, too! I would adore to hear about other people’s FoE’s. I live for this kind of thing.
SR: Thanks for answering, NG!
Originally published at sararyan.com. You can comment here or there.
Forms, colors, densities, odors — what is it in me that corresponds with them?
- Walt Whitman
View all posts tagged as Poetry Friday at Bildungsroman.
View the roundup schedule at A Year of Reading.
Learn more about Poetry Friday.
- Current Mood:
hopeful - Current Music:Without a Trace score music
Author Interview: Tim Tingle on How I Became a Ghost from The Edmond Sun. Peek: "My great-great-grandfather...was 10...when his family began the long walk (The Trail of Tears) to what is now Oklahoma. I wanted to write a book based on these family memories that a young reader would enjoy, with humor and discovery, with snow monsters and shape-shifting panthers."
Author Insight: The Write Mood from Wastepaper Prose. Peek: "Sometimes the simple act of writing becomes challenging. How do you make yourself write when you aren’t in the mood? Do you ever reward yourself at milestones?"
African Youth Literature: What Visibility in the International Market? by Mariette Robbes from PaperTigers. Peek: "While catering for their local readership, publishers in Africa also wish to be known internationally and to have business with publishers from others countries."
Seven Questions for Literary Agent Gemma Cooper from Middle Grade Ninja. Peek: "If you expect publishing to be in its own weird timezone, then you won’t be as surprised when it goes through stages of being crazy-manic and then deathly quiet. Be patient and go with it."
The Cabinet of Curiosities: short fictions for the young and mischievous. Highly recommended.
New Voices Award from Lee & Low. Peek: "...award-winning publisher of children's books, is pleased to announce the fourteenth annual New Voices Award. The Award will be given for a children's picture book manuscript by a writer of color. The Award winner receives a cash prize of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash prize of $500."
Tips for Tackling BEA from Wastepaper Prose. Peek: "...we know a lot of you are headed to NYC to attend. We've thought back on past experience and each of us has come up with some last minute tips that could help if you prepare and have an enjoyable show."
Diversity on the Page, Behind the Pencil and in the Office by Judith Rosen from Publishers Weekly. Peek: "In doing research for books, he (illustrator London Ladd) recommended that creators develop a relationship with others so that they can understand them better. 'It would enhance your work,' he said."
Kidlit Cares for Oklahoma from Kate Messner. Peek: "...because Oklahoma needs help right now, given the magnitude of damage from this week’s EF5 tornado. Please consider making a donation to the American Red Cross Disaster Relief Effort now. If you donate at least $10, I’ll enter you in a drawing to win a signed book."
Parragon Publishing India Unpacks High School Horror Fantasies from All About Book Publishing. Peek: "Parragon is one of the largest visual book publishers operating out of 35 countries worldwide. The company has tied up with the best printing facilities in the world and its books are printed in China, Indonesia, Malaysia, India, Europe, USA and other locations."
Pack(ag)ing It Up from Gwenda Bond. Peek: "No one I know who's done this kind of work has any illusions about the downsides going into it. Though I have heard horror stories about people it has worked out pretty awfully for or who were made to expect things that didn't materialize. But I will also say that not everything I've heard is a horror story."
Is Our Culture Becoming Too Critical and Open? from Jody Hedlund. Peek: "...we're seeing an increase in readers sharing their thoughts about books more publicly (instead of privately or in the confines of book groups). And hence with the increased openness, we're also seeing more negativity (as well as positivity)." See also an Open Love Note to Debut Authors about Hurtful Online Reviews.
Turning Story Opening Don'ts Into Dos by Angela Ackerman from The Bookshelf Muse. Peek: "If you want to start with action, you’re probably a plot type person. Go ahead! You do need to show your main character in an interesting situation (notice I didn’t say dangerous, just interesting) where their own personality shines through."
Deepening Character: a Conversation with Cliff McNish from Notes from the Slushpile. Peek: "We’re prepared to forgive even villains a great deal if they make us laugh. It works doubly so for our heroes. Keep them seeing the amusing side no matter what happens."
Ruth and Sylvia Schwartz Children's Book Awards
By Lena Coakley
The 2013 winners for the Ruth and Sylvia Schwartz Children’s Book Awards were announced on Thursday at North Kipling Junior Middle School in Etobicoke, Ontario, where students gathered for a celebratory presentation.
Winner of the Children's Picture Book Award Category: A Hen for Izzy Pippik by Aubrey Davis, illustrated by Marie Lafrance (Kids Can Press).
Winner of the Young Adult / Middle Reader Award Category: The Reluctant Journal of Henry K. Larsen by Susin Nielsen (Tundra Books).
Aubrey Davis, Marie Lafrance and Susin Nielsen are all first-time winners of this award.
The winner of Ball by Mary Sullivan was Joy in Manitoba, and the winner of Nothing But Blue, Me, Penelope and Country Girl, City Girl, all by Lisa Jahn-Clough was Deena in New York.
This Week at Cynsations
- Eric A. Kimmel on Marketing Manuscripts to Publishers
- New Voice Polly Holyoke on The Neptune Project
- Event Report: Lindsey Scheibe & Riptide
- Event Report: Joy Preble & The Sweet Dead Life
- New Voice Laurie Boyle Crompton on Blaze (or Love in the Time of Supervillains)
More Personally
This has been one of my favorite work weeks ever!
I had an opportunity to review copy-edits on Feral Curse (Book 2 in the Feral series) from Candlewick Press and Walker Books (writer in action). And I had the opportunity to celebrate Austin debut YA author Lindsey Schiebe (reader in action) and connect in person with two amazing groups of teens and the librarians who lead them to reading success (author in action)!
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| Members of the Wolves Cedar Park High School Reading Group arrive in style at the Barnes & Noble Arboretum in Austin. |
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| Reviewing the set-up with librarian Chris Kay (see her photo report on the event!) |
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| Chatting with Cedar Park readers about reading and writing |
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| Answering questions about the writing life |
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| Wow! I was presented with a gorgeous plaque! What a thrill! |
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| Posing with the top readers at Cedar Park High. |
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| Dinner with blogger JennRenee, Greg Leitich Smith and public librarian Jane Dance at Louisiana Longhorn Cafe (we had fried and grilled alligator as an appetizer) in historic downtown Round Rock. |
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| Chatting with the Round Rock Public Library Teen Book Club |
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| Posing with the Round Rock Public Library Teen Book Club. |
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| Bethany Hegedus, me, Jo Whittemore, Nikki Loftin & Cory Putnam Oakes at Lindsey Scheibe's launch for Riptide! |
Congratulations to Greg Leitich Smith on the upcoming re-release of the Peshtigo School books (Ninjas, Piranhas and Galileo & Tofu and T. Rex (originally published by Little, Brown) from IntoPrint Publishing, LLC! See more information.
Congratulations to Lindsey Lane on the sale of "Particles" to FSG! From Publishers Marketplace: "exploring themes of loneliness and interconnectedness from multiple viewpoints, set in or around a remote pull-out on a rural Texas highway where a particle-physics-obsessed teenage science genius disappeared..."
Personal Links
- The Ultimate Spaceship Face-off
- Tracing the Career of Judy Blume
- Time Management: Seeking Discipline
- David Lubar: First Public Stand-up Comedy Performance (PG)
- First Native American Actress to Walk Cannes Red Carpet
- What Parenting Books Can Teach Us About Critiquing
Cynsational Events
Join Cynthia Leitich Smith, Tracy Wolff, Mari Mancusi, and Emily McKay at 1 p.m. May 25 at Cedar Park Public Library in Cedar Park, Texas.
- Thu, 22:34: I love and am cool with people who love and are cool with people. Bullies reform! Everyone be nice! Come: http://t.co/5wDRjuD3qe
- Thu, 23:03: Never underestimate the power of a cute dog, or her tongue. Um. Yeah... Or the need for paper towels. http://t.co/OGTUqDeNDi
- Fri, 04:06: Sparty expresses doggy embarrassment. https://t.co/lqViPdP43T
audrey_e at 15 The Sense of an Ending
The Sense of an Ending won the Man Booker Prize in 2011.
An old man reflects on his youth, and specifically his friendship with Adrian, and the latter's suicide.
What a wonderfully-crafted novel! Julian Barnes managed to gradually build a multi-layered plot that I would not want to spoil in anyway. All I can say is that Tony, the narrator, is one of the most memorable unreliable narrators I've ever read.
This is clearly a book that needs to be read a second time, and it is perfect for a group discussion as it is a puzzling and haunting story.
Since The Sense of an Ending is a reflection on memory and how we view the past, some have argued that it is better to read it when middle-aged or older. I'm 24, but an old soul, and I found this book very meaningful.
4,5/5
- Current Location:Oak Park, Il
- Current Mood:nostalgic
This is not a bad read, and I think Swann would have better served his reader if some of the small exposition dumps about this world had been spread more evenly throughout the book and not back loaded towards the end (and I know some will disagree with me on this).
Nohar is a bidpedal tiger. In a near future world humans bio-engineered animals to turn them into weapons of war. Tigers, lions and bears oh my (and literally). Nohar is descended from two combat veterans, and is scratching out a living as a private invetsigator.
Then Nohar is approached by a representative from a company who wants him to look into the murder of a political campign manager. Things do eventually progress in a reasonable manner to build an entertaining mystery/suspense tale.
Isham and Aagel are introduced who play larger roles in Swann's other Moreau books. Eventually Swann ties together the Moreau and Hostile Takeover books into his Apotheosis trilogy.
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Page Summary
bookish :: inverarity : Red Hood's Revenge, by Jim C. Hines [+0] - metteharrison : Two Kinds of Writer's Block [+0]
- professornana : Heaving a sigh [+2]
- sararyan : Interview with N. Griffin [+0]
- slayground : Poetry Friday: Locations and Times by Walt Whitman [+0]
- cynleitichsmith : Cynsational News & Giveaways [+0]
- tanyaleestone : Billy Joel quote on Writing: [+0]
- carriejones : My tweets [+0]
- bookish :: audrey_e : 15 The Sense of an Ending [+0]
- bookish :: kentsplace : Forests of the Night by S. Andrew Swann [+0]
